Wiesel, Elie, 1966
“The choice of the typeface, the black-on-black titlepage, the half-hidden Mogen David on the binding hardly need explanation or comment.

“The terrible printing is unforgivable.

“Since the typeface (Linotype Antique #3) carries no italic, emphasis had to be provided by underscoring (p. 30).”

The Jews of Silence